“Recall that Bigelow wanted to make a movie about the failure to capture bin Laden, before the whole world knew, as she puts it, that he’s dead. Consider that she has still made a movie about a failure, a moral failure, our failure, embedded in a procedural success.” […]
Matt Stoller Seitz writes about meeting a film on its own terms, suspending your own disbelief and watching From Russia With Love and Singin’ In The Rain with audiences who wouldn’t or couldn’t do either. (Thanks, @DriveInMob)
“The first book I read was Carter Brown’s The Unorthodox Corpse. The Fryer Library (at University of Queensland) had a battered copy and I loved it.” Pulp Curry talks with Toni Johnson Woods about Australian pulp fiction.
Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good […]
Recently, I’ve been thinking about danger. Specifically, the kind of danger that runs through a certain subsection of Romance, often called ‘romantic suspense’. These are the stories that drop the hero and heroine into physical jeopardy in addition to exposing them to all the emotional risks of falling […]
Greg Rucka shares the short answer and the long answer to the question he’s asked most frequently, “How Do You Write Such Strong Female Characters?” My favorite line: “This is a matter of respect, for both the story itself and for the audience receiving it. The reader is […]
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The Cultural Gutter 