As you might know, if you’ve read my bio here on the Gutter, I’m a partner in Ottawa’s oldest surviving cinema, The Mayfair Theatre. In August, we showed two films that on the surface have little in common: Robert Altman’s neo-noir The Long Goodbye and Woody Allen’s slapstick […]
The Austin Chronicle‘s the paper of the future with an all science fiction edition. News, books, music, everything. (I’m especially excited about the music—The Day the Earth Stood Still and afronauts).
At The Institute for Figuring, Dr. Donna Taimina brings “abstract mathematics into the realm of tactile experience” with her crocheted models of hyperbolic space. (Model galleries are along the sidebar).
From a purely critical standpoint, Louis L’Amour’s The Walking Drum is a gruesome mess. It’s a historical novel that constantly hits the reader on the head with blocks of exposition. The hero, Kerbouchard, is not only a nigh-invulnerable fighter, he’s one of the finest scholars of the twelfth […]
It’s funny. I knew today was the anniversary of Elvis’ death. I didn’t realize it was the 30th anniversary of Elvis’ long black limousine sliding into the beyond. A good hunk of his afterlife has been in comics. Let us take a moment of silence for the man […]
A feeling’s been gnawing deep inside me for a while. A feeling that maybe Frank Miller’s hypermasculine antiheros and faceless, breast-thrusting women are exactly what they seem, not just sketchy parody. After reading 300, Miller’s 1998 account of the Spartans at Thermopylae, I don’t have any doubt: Miller […]
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