At All Arts, Erika T. Wurth wites about contemporary Native American speculative fiction. “An explosion in speculative Native American fiction is gaining commercial ground, and as a result, changing the way that non-Native and Natives think of Native people.”
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]
At BiffBamPop the Gutter’s own Carol writes about a scene that shook her in Edgar Ulmer’s Universal horror film, The Black Cat (1934). “[The Black Cat] is a film I never expected to leave me harrowed and shook, but it has. There is incest, rape, torture, a Black […]
At DVD.com, friend of the Gutter Jay Patrick dives into the history of Italian giallo film. “I put Opera in the VCR and experienced my first proper giallo. I hadn’t yet incorporated the term giallo into my lexicon because it was, to my eyes, just a very stylish […]
This week’s Guest Star is Nick Hanover. He writes about Todd Hayne’s documentary, The Velvet Underground (2021). ~~~ Before the Austin Film Society premiere screening of Todd Haynes’s The Velvet Underground, giddy fanboy/celebrated indie auteur Richard Linklater warned the audience this would not be your “typical music documentary […]
It’s spookoween time, everybody, and the Gutter’s own Carol is writing about all the movies, series, and other shenanigans she’s up to as part of 31 Days of Horror!