I heard industrial pa-chunking before I even entered the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed by […]
At Chicago Magazine, Jake Malooley writes about the origins of Candyman (1992) in a piece about a murder in Chicago’s Grace Abbott Homes. “To get at the real horror behind Candyman, I knew I had to talk to Steve Bogira. Now 66, the veteran journalist covered race and […]
At Vulture, Angelica Jade Bastíen writes about Nia DaCosta’s Candyman (2021). Even if you disagree with her analysis, it’s worth reading and pondering. “Candyman is the most disappointing film of the year so far, limning not only the artistic failures of the individuals who ushered it to life, […]
Friend of the Gutter Michelle Kisner writes about Nia DaCosta’s Candyman (2021)! “This new take on Candyman is a direct response to the first film, a mirror reflection running parallel with the themes of the original work. Where the 1992 film is from the viewpoint of a white […]
This week the Gutter’s own Angela has wandered up the stairs of an ruined mansion carrying only a candelabra. She’ll be back next month. In the meantime, ponder and enjoy her piece on Candyman (1990)! ~~~ Bernard Rose’s Clive Barker’s Candyman is an intensely 1990s film. Characters smoke […]
At Jumpcut Online, Fiona Underhill writes about Gothic horror and recent films directed by women. “Madness and melodrama, obsession, suppression and repression – the questioning of sanity, gas-lighting, confusion over what is real or unreal, not knowing who to trust are also huge elements of Gothic fiction (and […]
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