Oh, to live in the era of the Regency Romance or the epic medieval adventure! Oh, except that life would suck: “No painless dentistry, eccentric provision for sewage, no penicillin and no concept of asepsis, and the condition of most women was not one that I aspire to.”
Most writers get into the Romance genre because they read it, and they read it because they love it. Each writer is drawn to the genre for different reasons, of course. Whether the concentration on character; the focus on primary relationships; or the essence of the triumph of […]
If I had a dime for every time I’ve heard that writing is a lonely profession I would (to misquote Stephen Colbert) have a hell of a lot of hypothetical money. But phrases don’t become cliches without reason, and the truth is that many writers spend a great […]
Alan Moore’s Saga of the Swamp Thing was my favorite comic in my younger, more gloomsome days. I probably liked it more than my other favorite comics at the time, Grant Morrison’s Doom Patrol and Neil Gaiman’s Sandman. But Swamp Thing wasn’t the only swamp monster in comics.
So you’ve written a book that fits the current vogue perfectly – let’s say it’s a grimy cyberpunk novel in the mid-1980s – does that mean you’ve guaranteed long-lasting fame for yourself? Probably not. But don’t worry, a lot of your compatriots are suffering the same fate. Oh, […]
When a writer puts a story down on paper, one version of all possible outcomes becomes the final version. The ending is part of a carefully constructed framework of theme and comment and all that good literary stuff, and it’s never going to change. For example, the evil […]
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The Cultural Gutter 