Alan Moore’s Saga of the Swamp Thing was my favorite comic in my younger, more gloomsome days. I probably liked it more than my other favorite comics at the time, Grant Morrison’s Doom Patrol and Neil Gaiman’s Sandman. But Swamp Thing wasn’t the only swamp monster in comics.
So you’ve written a book that fits the current vogue perfectly – let’s say it’s a grimy cyberpunk novel in the mid-1980s – does that mean you’ve guaranteed long-lasting fame for yourself? Probably not. But don’t worry, a lot of your compatriots are suffering the same fate. Oh, […]
When a writer puts a story down on paper, one version of all possible outcomes becomes the final version. The ending is part of a carefully constructed framework of theme and comment and all that good literary stuff, and it’s never going to change. For example, the evil […]
Scott McCloud is doing a crazy road tour for his new book, Making Comics, complete with family blog and entertaining video podcasts (with interviews of writers and artists) done by his kids.
If you play Civilization IV for three months, your next novel will probably be late — it happened to Iain M. Banks.
Like the singer/songwriter — a lank-haired warbler in patchouli-stained flannel — the artist/writer in comics is a very peculiar bird. Our logographer resembles a forked tongue, licking in two directions: to the left, where Staedtler crumbs and ink spills lie, and the right, to a boundless thicket of […]
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The Cultural Gutter 