Notes
“Samus Works Alone”
At Re/Action, Maddy Myers writes about how important the Metroid franchise, in both game and manga form, and its protagonist, Samus Aran, were to her. “Samus still represents a breakthrough. She first took off her armor to reveal a woman’s form back in 1986, the year that I was born. Samus and I grew up separately, kindred spirits who did not find one another until 2007. A best friend, a fraternal twin sister, a clone separated at birth. Or so I felt, as I let myself slip behind that visor. I wasn’t Samus myself – not yet. I stood behind her, hanging back. Did I dare? Did I dare pretend, role-play, allow myself to act as Samus? Could I be that cool?”
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Categories: Notes
Tagged as: 1980s, 1990s, 2000s, 2010s, adaption, biography, comics, disability, feminism, games, Maddy Myers, manga, mental health, Metroid, relationships, Samus Aran, the ladies, video games, Yoshio Sakamoto
Published by Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
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