Dharam Veer is a Hindi cinema TARDIS, holding way more bedazzled boots, pirate shirts, Elizabethan doublets, Roman sandals, feisty gypsies, hand guillotines, romantic princes, creepy statues, sworn promises, lost relatives, baby-switching schemes, court politics, sword fights, naval battles, and eye-for-an-eye justice than you imagine could possibly fit inside […]
In the world of underappreciated Indian films, Youtube spelunking often leads to treasures. Years ago, while looking for cabaret songs by one of my favorite 1970s and 80s stars (Rekha, seen frequently on The Gutter), I happened across a number from Chehre Pe Chehra, an adaptation of…. Dr. […]
~~~ Beth Watkins appreciates the occasional squooshing of hearts, but in a good way.
It’s been far too long since we last discussed an Indian snake movie on the Gutter, so today I bring you Tum Mere Ho (Hindi, 1990). In essence this is a tale of star-crossed lovers sandwiched in what Indian cinema calls a mythological, a story about deities, displays […]
What if James Bond went to Bombay in the late 1970s and wasn’t so much a secret agent as a stylist and interior designer for a particularly aesthetics-oriented villain? The plot of Shaan has very little to do with any of the Bond films that I can remember. […]
Bear with me: at first glance, this piece may fall outside the Cultural Gutter’s mission to share thoughtful writing about disreputable art. Kshudhita Pashan (1960) is based on a short story by Nobel laureate, author, musician, and all-around revered thinker Rabindranath Tagore. But its ghostly ladies, creepy palaces, […]