A few weeks ago, the Indian cinema-focused Twitter account Cinema Rare posted a list of “some of the trippiest Indian films,” and with wording like that, I knew I had to investigate the whole thing, regardless of how likely I was to agree.* Skimming the 25 titles, I […]
When I first watched this zombie horror-comedy when it released in 2013, I felt like it didn’t have enough bite. I wanted it to do more with some of what it started to lay out, namely the smart and funny premise that the party scene in Goa (a […]
Did I choose to write about this film because it is currently on Netflix with subtitles and thus more available than hundreds of other things I might have selected? Yes. Does it have something to offer the Gutter reader other than availability? Absolutely. Amrapali (1966) is one of […]
If you pay any attention at all to popular Hindi cinema, then probably you will have heard of Sholay, often considered the best-loved Hindi movie of all time.* There is huge respect and affection for this film—for its cast, director, music, and script. Sometimes omitted from discussions of […]
Hera Pheri (1976) does weird things to my sense of time. It is so up my alley that I have rewatched it repeatedly while also wishing it were still out there waiting to be discovered anew. I want to keep it in a perpetual state of having been […]
Dobaaraa, a Hindi-language film released earlier this year, stands in intriguing contrast to mainstream Indian cinema’s habits, not just in how this compelling remake handles it source material but also just more generally as a contemporary project. It is one of only a handful of Indian adaptations of […]
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The Cultural Gutter 