Ray Harryhausen passed away last week. This has been noted by people more qualified than I to discuss the master of stop-motion magic—Rick Baker, Adam Savage, Todd Masters, George Lucas, Peter Jackson, and more. The superhuman talent and perseverance evident in a Harryhausen effects sequence can easily be […]
When I was a mere lad, I picked up a battered newsstand copy of Power Man and Iron Fist. I had grown up with superheroes in Spider-Man and His Amazing Friends, The Incredible Hulk, and The Herculoids on the television, but my comics reading prior to that issue […]
“If I had a hidden microphone inside of my heart/I would turn the power on/It would amplify my love for you and swear to always love you/and you’d never be gone.” I love when old movies–that are not musicals per se–spotlight the performance of a song, because it’s […]
I’ve been spending a portion of my wee small hours (normally spent standing under a solitary street lamp on a lonely street, staring in melancholy reverie at my cigarette) revisiting old horror films. As a budding cult film obsessive, I cut my teeth on the horror films of […]
Instead of raving about Satyajit Ray’s well-known-outside-of-India projects like the Apu Trilogy (Pather Pancahli/Song of the Little Road, Aprajito/The Unvanquished, and Apur Sansar/The World of Apu) or Jalsaghar/The Music Room (available through Criterion), I want to rave about his fantastic fantastical 1968 children’s film Goopy Gyne Bagha Byne/The […]
Carol is editing the Midnight Madness and Vanguard Programme Blogs for the Toronto International Film Festival. She will be back next month. This week, Guest Star Clarice Meadows writes about games. (Note: There are mild spoilers for the mid-point of the game Max Payne 3 and the end […]
Part of me dies under my overalls I close my eyes and a woman calls From a nightmare… Shave…shit…a shower and a shoeshine That’s it…sack time Everybody looks like Ernest Borgnine. He’s there, unexpectedly, in John Cooper Clarke’s punk poem ‘Thirty Six Hours“, blaring through the speakers as […]
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