Please enjoy this extra-large article in celebration of the spooky season here at the Gutter. It was originally written for a magazine that took longer entries, but things happen. Hopefully it’s like getting a full-sized candy bar from the house with the dad that uses a radio controlled […]
Generational trauma knows no particular race, ethnicity, or personal experience but there is a unique and uniquely bitter flavour when it sets itself on Black lives. In communities where violence can be routine but the lasting effects and the voids it creates are anything but, trauma is often […]
There is a conventional wisdom that says works of horror are at heart cautionary tales and that once you tear up their planks, all you will find beating beneath is a pulpy warning to the curious, a brutal morality tale leftover from darkest days and firelit nights. This […]
Prince of Darkness (1987) is not often included among John Carpenter’s greatest films. To be fair, he has a lot of great films. The writer-director-composer-grumpy soundbite generator has clocked an embarrassment of beloved cinema in his time. Halloween (1978), Escape From New York (1981), The Thing (1982), Big […]
As so many people did over the last month, I set out for my local multiplex to engage in a practice called Barbenheiming. If you’ve been insulated from any sort of news or media this summer (in which case I envy you, friends), this means pairing up a […]
Christian Tafdrup’s Speak No Evil (2022), also called Gæsterne (The Guests) in Danish, easily places among the most disturbing horror movies I’ve ever seen, and not for the usual reasons. There’s no body horror, no stalking, no over-the-top violence. There’s hardly any violence at all for that matter, […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 