Carol’s piece on Mattie Do’s The Long Walk (2019) contains plot details. She doesn’t think they’d spoil the movie, but now you know. ~~~ The Long Walk (2019) is a slow-burning blend of genres. It’s a movie that requires some patience (and possibly a second viewing) as it […]
Horror, like porn, is meant to evoke a physical reaction. They, alongside melodrama, form the trio of genres which are described as “body genres” by my favourite media theorist, Jenna Stoeber*. Stoeber argues that the body genres evoke emotional reactions of “fear, sadness, or arousal” that spill out […]
For Switcheroo Month, we were given basically infinite freedom to write about something outside our usual beat OR something reputable (rather than disreputable) OR both, and I barely knew what to do with myself. At first I thought I should tackle an Indian art film—parallel cinema, it is […]
April is Switcheroo Month at the Gutter. The time when Gutter Editors write something outside their domains. This year we’re writing about reputable art. ~~~ It’s hard to say what’s reputable and disreputable anymore. Things are not what they were when the Cultural Gutter was founded in 2003, […]
Sachin Hingoo kicks off this year’s Switcheroo Month at the Gutter. This year the Gutter’s editors are writing about reputable art rather than disreputable art for a whole month! Heads up: The following contains minor spoilers for A24’s Everything Everywhere All At Once (2022) and Paramount’s Star Trek: […]
Maybe it’s the long grey of winter, or the even greyer length of pandemic winter, but the past few months I’ve found myself falling back on the comfort of old, familiar things. I keep reaching for my faded plaid shirt and softest worn-out jeans, ignoring the food in […]
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The Cultural Gutter 