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The Cultural Gutter

Thoughtful Writing About Disreputable Art

10 Things I liked in 2025

By Carol on December 18, 2025 • ( Leave a comment )

Reflections of a Reflection in Hélène Cattet and Bruno Forzani’s ‘Reflection in a Dead Diamond’

By Sachin Hingoo (he|him|his) on December 11, 2025 • ( Leave a comment )

Gutterthon 2025: Grand Slam!

By Guttersnipe on December 8, 2025 • ( Leave a comment )

Disavowing the Story: On Kimi wa Koibito (You Are My Lover): Part Two

By Guttersnipe on December 4, 2025 • ( 1 Comment )

Hat on a Hat on a Dinosaur: Jurassic Overkill and Instant Aliens

By Critterlab on November 27, 2025 • ( 5 Comments )

From the Archives: (Some of) The Women Who Wrote Hitchcock

By Carol on November 20, 2025 • ( Leave a comment )

Fantastic Fest 2025: The Curse (Taiwan / Japan): Never Post

By Carol on September 19, 2025 • ( 2 Comments )

The Gutter’s own Carol Borden has some thoughts on Kenichi Ugana’s The Curse (Taiwan / Japan, 2025), now screening at Fantastic Fest 2025! Kenichi Ugana’s The Curse has the punk sensibility—down to its scratchy opening title card that looks like a punk zine cover—the gleeful gore, the dark […]

In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on September 18, 2025 • ( Leave a comment )

Anyone that knows me will tell you that I’m a sucker for an unconventional animal-themed film and while it doesn’t have the in-your-face animated aesthetic of last year’s Flow, György Pálfi’s new film ‘Hen’ chicken-scratches that itch in a major way. 

Filmi Ladies: Clueless 30th Anniversary Special!

By Guttersnipe on September 17, 2025 • ( Leave a comment )

At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins celebrate the 30th anniversary of Clueless (USA, 1995)! “Clueless, a cinematic treasure, just turned 30 years old this year. Could we let its anniversary pass by without talking about it? AS IF! […]

Kojak in Budapest: “Monday Pants”

By Guttersnipe on September 16, 2025 • ( Leave a comment )

As part of an ongoing translation/subtitling project, friend of the Gutter has shared a clip from the Hungarian film, Kojak In Istanbul. Watch Kojak learn how to shop for trousers at Neon Harbor.

Hey, the Gutter is going to Fantastic Fest 2025!

By Carol on September 15, 2025 • ( Leave a comment )

It’s Fantastic Fest time again and the Gutter’s own Sachin Hingoo and I were lucky enough to receive press accreditation again. We are cub reporters no more.We hang out in the virtual lounge and tip our fedoras at passing fancy people. We write at late hours and at […]

TIFF Day 6 with the Gutter’s Own Sachin Hingoo!

By Guttersnipe on September 13, 2025 • ( Leave a comment )

The Sachin Hingoo has thoughts on 4 more films from this year’s Toronto International Film Festival: Frankenstein (USA, 2025); Dust Bunny (USA, 2025); Train Dreams (USA, 2025); and, The Ugly (South Korea, 2025)! “As we enter the back half of TIFFty and the films start to almost literally […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Angela Englert, Sachin Hingoo, Alex MacFadyen, and Beth Watkins probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, Mastodon, and Bluesky as @culturalgutter. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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