“Top Ten Most Sexually Prolific Lesbians and Bisexuals of Old Hollywood”
Autostraddle has not only a top ten list of Hollywood Lesbians and Bisexuals, but a flow chart of relationships and you can see it here.
“How Delia Derbyshire made the Doctor Who theme”
BBC Archive has a clip of Delia Derbyshire in 1965. “Tomorrow’s World visits the BBC Radiophonic Workshop, a studio dedicated to the production of cutting edge electronic sound effects, soundscapes and electronic music for use in BBC television and radio programmes. Pioneering sound engineer Delia Derbyshire–who, along with […]
Filmi Ladies: Horror Comedy & Bhooth Bangla (2026)
At Filmi Ladies, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins watch Bhooth Bangla! “We watched Priyadarshan and Akki’s latest venture–Bhooth Bangla (2026) and had several thoughts about bhoots, haunted havelis, bad wigs, demons, bats and horror comedies as a genre.” Listen/watch here.
From the Archives: Reality Isn’t What It Used To Be
In the Mouth of Madness (1994) is the final film in what director John Carpenter calls his Apocalypse Trilogy, also including 1982’s The Thing and 1987’s Prince of Darkness, although the films aren’t joined by any conventional narrative or continuity. In casual use, apocalypse has come to mean nuclear annihilation or the end of civilization, but it literally means unveiling, and that’s what really unifies the trilogy: the revelation of an inhuman universe.
Interview with Jinkx Monsoon
On Bullseye, Jesse Thorn interviews drag and Broadway diva, Jinkx Monsoon. “Jinkx Monsoon is a legend in the world of drag. For fans of RuPaul’s Drag Race she is often referred to as ‘Queen of All Queens’–she’s the only performer to win that competition show twice. Monsoon is […]
“A Witchy Way of Feeling: Camp (2025)”
At Monstrous Industry, the Gutter’s own Carol Borden shares her first thoughts on Avalon Fast’s new film, Camp (Canada, 2025)! “Fast captures the feeling of certain spaces created by girls and women. And in Camp, they capture the feeling of spaces created by groups of “gorgeous weirdos” finding […]
