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The Cultural Gutter

Thoughtful Writing About Disreputable Art

From Homer to Nolan: How The Odyssey Survives Through Reinvention

By Michelle on July 23, 2026 • ( Leave a comment )

From the Archives: Reality Isn’t What It Used To Be

By Angela Englert on July 16, 2026 • ( Leave a comment )

Getting Surreal in Winnipeg: Universal Language (2024)

By Critterlab on July 9, 2026 • ( Leave a comment )

Apocalypticism Now: Cries Of Ecstasy, Blows Of Death (1973)

By Guttersnipe on July 2, 2026 • ( Leave a comment )

Still Keeping It Cozy: The Coziest Upcoming Games of 2026 and Beyond

By Sachin Hingoo (he|him|his) on June 25, 2026 • ( Leave a comment )

Blood Geysers and Biopunk: The Gory Films of Yoshihiro Nishimura

By Michelle on June 18, 2026 • ( Leave a comment )

“Chillers: Four Tales of Terror”

By Guttersnipe on April 7, 2026 • ( Leave a comment )

Listen to BBC Radio 4’s chilling 2002 adaptation of four classic tales, “Who Goes There?” (the basis of The Thing (1982) and The Thing From Another World (1951)); “I Have No Mouth and I Must Scream”; “Delta Sly Honey”; and “Corona.” Listen here.

Filmi Ladies: “Govinda + David Dhawan”

By Guttersnipe on April 6, 2026 • ( Leave a comment )

At Filmi Ladies, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins decide “sometimes you just need to get stuck in the 90s. We watched Raja Babu (1994) and Haseena Maan Jayegi (1999) and wonder whether this epic partnership is worthy of so much (possibly […]

Interview with Nancy cartoonist Caroline Cash

By Guttersnipe on April 5, 2026 • ( Leave a comment )

Charleston City Paper has an interview and profile of artist and zinester Caroline Cash, the newest cartoonist drawing Nancy! “’Olivia and I are both Bushmiller students,’ she said. ‘My favorite Bushmiller strips are the offbeat and absurdist ones. I think I have a slightly different take on it […]

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

This is probably not sufficient to convince you that Gabriele Mainetti’s The Forbidden City is one of my favourite movies of the year, but I’m just going to start with a non-exhaustive list of items used as weapons in the film’s spectacular, and spectacularly brutal, action sequences: If […]

“Why Did Changelings Terrorize the Victorian Age?”

By Guttersnipe on April 1, 2026 • ( Leave a comment )

At PBS’ Monstrum, Dr. Emily Zarka discusses changelings! “Let’s talk about the unsettling legend of changelings, creatures said to replace humans with eerie, imperfect copies. What are the historical, cultural, and psychological roots of this folklore? From medieval theology to real-world court cases and modern stories, we wonder […]

“The Disturbing Case of America’s Most Infamous Haunting”

By Guttersnipe on March 31, 2026 • ( Leave a comment )

PBS’ Storied looks at a haunting in early 19th Century Tennessee. “Between 1817 and 1821, the Bell family of rural Tennessee became the center of one of the most chilling and best-documented hauntings in American history.” Watch here.

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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