At Horror Home Room, Alishya Almeida writes about class, horror and “the abject” in Bong Joon-ho’s Parasite (2019). “In a cosmos ruled by capitalism, the ways in which wealth and labor interact become a matter of haunting. Bong’s path of storytelling highlights the unequal and unjust experiences that […]
Crime writers talk about what they read when they’re not writing at Crime Reads.
At Criterion, Steven Ryfle writes about director Ishiro Honda and Godzilla. “Ishiro Honda gathered his crew and gave them an ultimatum. He was about to put his career at risk, and he would only work with those who approached his current project—a movie about a radiation-spewing prehistoric reptile […]
In the 1960s, Japan’s venerable Shochiku Studio, struggling to stay relevant amid changing times, threw up its arms and said, “Fine. Whatever!” and rapidly produced four profoundly weird science fiction and horror films: The Living Skeleton, Genocide, The X from Outer Space, and the oddest of all, Goke: Bodysnatcher from Hell.
Need to see all the Canadian Heritage Minutes? Well, now you can! Or at least you can see a lot of them right here.
Minya / Minilla comes out in a stopmotion short by Cressa Beer!
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 