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The Cultural Gutter

Thoughtful Writing About Disreputable Art

The Little Detective That Did: Detective Byomkesh Bakshy!

By Beth Watkins on June 11, 2026 • ( Leave a comment )

Summer Fun Time Reading ’26

By Carol on June 4, 2026 • ( Leave a comment )

Don’t Sleep on Simon Glassman’s ‘Buffet Infinity’ (2025)

By Sachin Hingoo (he|him|his) on May 28, 2026 • ( 2 Comments )

Fatal Kisses, Leather Daddies, and Evil Tofu: Queer Coding in Video Games

By Critterlab on May 14, 2026 • ( 1 Comment )

Some Thoughts on a Film that Disappeared: Cindy Sherman’s Office Killer

By Carol on May 7, 2026 • ( 1 Comment )

Monsters & Mullets: Labyrinth

By Guttersnipe on April 30, 2026 • ( Leave a comment )

K. A. Laity on “The Sorrows of Satan”

By Guttersnipe on August 8, 2020 • ( Leave a comment )

Friend of the Gutter Kate Laity writes a little bit on The Sorrows of Satan (1898) and its author, Marie Corelli. “The Sorrows of Satan was a sensation upon its release and a scandalous bestseller, so it’s typical that it has been overlooked despite its broadly appealing topic […]

Secret Ceremony (1968): Two Figures in the Void

By Guttersnipe on August 6, 2020 • ( Leave a comment )

This week Guest Star Sara Century watches Secret Ceremony (1968) starring Elizabeth Taylor, Mia Farrow and Robert Mitchum. Sara Century is a horror writer, podcast host, and a critic. You can find out more at http://www.saracentury.com ~~~ Trigger warning: This movie is upsetting and deals with sexual violence, […]

Runaway (1984) on The Projection Booth

By Guttersnipe on August 5, 2020 • ( Leave a comment )

The Gutter’s own Carol joins Mike White and Josh Stewart for a discussion of Runaway (1984) on The Projection Booth. “We are looking at the 1984 film from writer/director Michael Crichton, Runaway. It’s the tale of Jack Ramsay (Tom Selleck) a member of the Runaway unit who takes […]

“Black Storytellers Are Using Horror to Battle Hate”

By Guttersnipe on August 4, 2020 • ( Leave a comment )

“Black Horror is far from a new phenomenon, as demonstrated by last year’s documentary Horror Noire, based on the book by Robin R. Means Coleman, which unpacked the deeper meaning behind a century of African American history in frightening screen stories—from the silent era to 1968’s Night of […]

“A doozy of experimental cinema and existential dread”

By Guttersnipe on August 3, 2020 • ( Leave a comment )

At Gayly Dreadful, Terry Mesnard reviews Amy Seimetz’s She Dies Tomorrow (2020). “She Dies Tomorrow is the sophomore feature from Amy Seimetz and it is a doozy of experimental cinema and existential dread. It defies typical narrative progression, instead flitting from character to character as whatever ennui this […]

Judy Blume on Writing

By Guttersnipe on August 1, 2020 • ( Leave a comment )

The Society of Children’s Book Writers and Illustrators hosted an online event with Judy Blume. You can follow along with what she has to say on Twitter.

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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