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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Fatal Kisses, Leather Daddies, and Evil Tofu: Queer Coding in Video Games

By Critterlab on May 14, 2026 • ( 1 Comment )

Some Thoughts on a Film that Disappeared: Cindy Sherman’s Office Killer

By Carol on May 7, 2026 • ( 1 Comment )

Monsters & Mullets: Labyrinth

By Guttersnipe on April 30, 2026 • ( Leave a comment )

The Burning Train

By Beth Watkins on April 16, 2026 • ( 1 Comment )

“I Would Save and I Would Be Saved”: Folk Horror, Masculinity, and a Sensible Heroine in Eye Of The Devil

By Carol on April 9, 2026 • ( 4 Comments )

Fish Out of (Pasta) Water in Gabriele Mainetti’s ‘The Forbidden City’ (2025)

By Sachin Hingoo (he|him|his) on April 2, 2026 • ( Leave a comment )

From the Archives: Cahiers du Cannon: Runaway Train

By Guttersnipe on September 17, 2020 • ( Leave a comment )

Angela Englert has been selected for a top secret mission, so secret we shouldn’t even mention it. This week, enjoy Guest Star Jessica Ritchey’s piece on Runaway Train (1985) from her series on Cannon Films. Previously on Cahiers du Cannon, Guest Star Jessica Ritchey wrote about Castaway (1986) […]

“Dame Diana Rigg taught me what sophistication is in The Great Muppet Caper”

By Guttersnipe on September 16, 2020 • ( Leave a comment )

“Dame Diana Rigg‘s career was all about showing women off in all their fabulous glory. From her iconic turn as super spy Emma Peel in the original Avengers to her acid-tongued (and Joffrey-poisoning) Olenna Tyrell on Game of Thrones, every one of Rigg’s performances provided an example of […]

“What I learned from Emma Peel”

By Guttersnipe on September 11, 2020 • ( Leave a comment )

Feather Dusters at 400 Yards shares an in memoriam list of things they learned from The Avengers‘ Emma Peel.

From the Archives: Tilda Swinton: Secret Scottish Samurai

By Critterlab on September 10, 2020 • ( Leave a comment )

Screen Editor Alex MacFadyen has made a journey into the wilderness for purposes beyond our ken! He will return perhaps wise and definitely with another piece. ~~~ One of the random questions on OkCupid dating profiles is whose closet you would like to raid, and one of the […]

“Gabrielle, Xena and their WLW Legacy 25 Years Later”

By Guttersnipe on September 6, 2020 • ( Leave a comment )

Friend of the Gutter Sara Century writes about Gabrielle and Xena on Xena’s 25th anniversary! “The story of Xena is remembered as many different things. A heroic saga, a tale of redemption, a campy romp. It’s a series that truly had it all, and that’s why it remains […]

How Tsui Hark refreshed wuxia film with The Butterfly Murders (1979)

By Guttersnipe on September 4, 2020 • ( Leave a comment )

“Hong Kong director Tsui Hark’s debut film, The Butterfly Murders, didn’t make much of a dent on the box office when it was released in July 1979, but it did garner some good reviews. Today it is regarded as a minor masterpiece for its creative and unique approach to […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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