The fact that I Come In Peace is set in eternally balmy Texas and is about Dolph Lundgren trying to kill a hulking Edgar Winter from outer space who shoots razor-sharp CDs at people should in no way distract you from the fact that in at least one […]
Elvis’ favorite Christmas movie*, Black Christmas (1974), is partly culled from the 1960s Babysitter and the Killer Upstairs urban legend that most of us now remember simply as 1979’s When a Stranger Calls. An early version of Roy Moore’s** script, in fact, was called The Babysitter,*** and it […]
Dr. Nerdlove writes about The Punisher and Frank Castle’s broken masculinity. “Like the incredible Jessica Jones, Marvel’s The Punisher examines and elevates a character and a genre defined by tropes and clichés. Despite being one in a long series of knock-offs of the Lone Vigilante genre – codified in its modern […]
Deepanjana Pal expands a piece she wrote for India Today, giving an overview of some fine Indian comic creators and considering the state of comics in India. “Far away from bookshelves and in corners of the internet, a vibrant scene emerges, full of new artists and innovative voices […]
Gutter Co-founding Editor Jim Munroe writes about why he is moving on from No Media Kings: “I’ve decided to stop using the No Media Kings imprint for my work. I started using it back in 2000, and the media context has shifted drastically: things are so much weirder […]
Tony Zhou shares the script for the final “Every Frame A Painting.” It’s Tony and Taylor’s post-mortem on the series about film. You should check it out and then watch all their videos. “(TONY) Hi, my name is Tony… (TAYLOR) and my name is Taylor… and this is […]
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The Cultural Gutter 