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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Welcome to Potters Bluff: Death, Resurrection, and the Horror of Small-Town America

By Michelle on October 8, 2026 • ( Leave a comment )

Best of the Best Is Pretty Good!

By Beth Watkins on October 1, 2026 • ( Leave a comment )

Carol Goes to Fantastic Fest 2026!

By Carol on September 24, 2026 • ( Leave a comment )

Fantastic Fest 2026: Terms & Conditions (USA, 2026)

By Carol on September 23, 2026 • ( Leave a comment )

Fantastic Fest 2026: Kung Fu Deadly

By Carol on September 22, 2026 • ( Leave a comment )

Fantastic Fest 2026: Girl In The Night!

By Carol on September 21, 2026 • ( Leave a comment )

The Projection Booth on The Long Goodbye

By Guttersnipe on November 28, 2018 • ( Leave a comment )

Our friends at The Projection Booth watch Robert Altman’s The Long Goodby and interview Elliott Gould! “Adapted by Leigh Brackett, one of the two main writers from Howard Hawks’s The Big Sleep, the film stars Elliott Gould as Philip Marlowe, a man now out of time with the […]

You Must Remember This: Gloria Grahame

By Guttersnipe on November 28, 2018 • ( Leave a comment )

Karina Longworth remembers actor Gloria Grahame on You Must Remember This: “Gloria Grahame arrived in Hollywood in 1944, after Louis B. Mayer personally plucked her from the New York stage, and changed her name. But Grahame was the rare actress who Mayer didn’t know how to turn into […]

“The Many Heists of Catwoman”

By Guttersnipe on November 27, 2018 • ( Leave a comment )

Behold, “The Many Heists of Catwoman!” “Catwoman made her first appearance in 1940 in Batman #1, the same issue as the Joker. Over the years, she’s toned down her wanton criminal acts and taken to a more peaceful path, but we cannot forget that this is the woman […]

“Lady Snowblood and Her Love Song of Vengeance”

By Guttersnipe on November 26, 2018 • ( Leave a comment )

At Syfy Wire, friend of the Gutter Sara Century writes about Lady Snowblood. “Regardless of everything, the most important part of the Lady Snowblood mythos is Yuki herself. The compelling study of a woman who is beautiful on the outside but a demon on the inside might be […]

Stockings are stuffed at the Feminine Critique!

By Guttersnipe on November 25, 2018 • ( Leave a comment )

Our friends at the Feminine Critique have begun their annual tradition of “Stocking Stuffers!” That’s right Emily watches and reviews all the made-for-tv Christmas movies she can find!  “Slip into your favorite ugly Christmas sweater and bring that cocoa to a boil. It’s the official start of the […]

I Am the American Cool, Suite 3: I Am Not America’s Nightmare

By Keith on November 22, 2018 • ( Leave a comment )

After the release of the third and final album in the “Metropolis” trilogy, Janelle Monáe was at a creative crossroads. Where do you go once you’ve finished the story that has defined your entire professional output? Who are you when you put your alter ego to bed? For […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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