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The Cultural Gutter

Thoughtful Writing About Disreputable Art

From Homer to Nolan: How The Odyssey Survives Through Reinvention

By Michelle on July 23, 2026 • ( Leave a comment )

From the Archives: Reality Isn’t What It Used To Be

By Angela Englert on July 16, 2026 • ( Leave a comment )

Getting Surreal in Winnipeg: Universal Language (2024)

By Critterlab on July 9, 2026 • ( Leave a comment )

Apocalypticism Now: Cries Of Ecstasy, Blows Of Death (1973)

By Guttersnipe on July 2, 2026 • ( Leave a comment )

Still Keeping It Cozy: The Coziest Upcoming Games of 2026 and Beyond

By Sachin Hingoo (he|him|his) on June 25, 2026 • ( Leave a comment )

Blood Geysers and Biopunk: The Gory Films of Yoshihiro Nishimura

By Michelle on June 18, 2026 • ( Leave a comment )

“Black Final Girls… & Other Musings”

By Guttersnipe on September 18, 2018 • ( Leave a comment )

“Demon Knight was my first introduction to the Black Final Girl so I naturally watched this movie repeatedly on cable as a thirteen year old. Jeryline had some run-in’s with the law that landed her in a motel hell work release that would seal her fate for several […]

“Hunting Legend: And The Ocean Was Our Sky”

By Guttersnipe on September 17, 2018 • ( Leave a comment )

At Tor.com, Mahvesh Murad reviews Patrick Ness’ And The Ocean Was Our Sky. “This is a book about prejudices that lead to generations of hate and death; about who monsters are, and what makes them so; about loyalty and single minded, determined violent obsessions that can never end […]

“Not All Harassment is Sexual”

By Guttersnipe on September 15, 2018 • ( Leave a comment )

Showrunner Linda Bloodworth Thompson writes about her experiences with Les Moonves at CBS. “I never dreamed that I would become the first woman, along with my then-writing partner, Mary Kay Place, to write for M*A*S*H. I took pride in being part of a network that always seemed to […]

All the Spindles in the Kingdom

By Critterlab on September 13, 2018 • ( Leave a comment )

Christopher Robin said to Pooh: “Promise me you’ll always remember: You’re braver than you believe, stronger than you seem, and smarter than you think.” I remember going out to play in the summer as a kid, roaming around the shores of the lake near my house or sneaking […]

“Pacifist Samurai Film”

By Guttersnipe on September 13, 2018 • ( Leave a comment )

The Japan Times interviews Shinya Tsukamoto about his new film, Killing. “’As I took in the current state of the world, I had an urge to let out (the film) like a scream. The act of killing in the Edo Period (1603-1868) was quite normal. I found many […]

“The Great Chinese Art Heist”

By Guttersnipe on September 12, 2018 • ( Leave a comment )

“Strange how it keeps happening, how the greatest works of Chinese art keep getting brazenly stolen from museums around the world. Is it a conspiracy? Vengeance for treasures plundered years ago? We sent Alex W. Palmer to investigate the trail of theft and the stunning rumor: Is the […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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