At the Bite, BJ Colangelo writes about Dracula’s Daughter (1936). “One year after the success of The Bride of Frankenstein, Universal Pictures tried their hand again with another femme facing monster movie sequel, Dracula’s Daughter. Unlike The Bride, Countess Marya Zaleska (Gloria Holden) is a legitimate leading performance […]
At RogerEbert.com, Matt Zoller Seitz writes on the life and career of Clarence Williams III. “His ferocity burned holes in the screen, and filmmakers took advantage of that, casting him in roles that shook up the main character’s preconceived notions, rattled their complacency, and otherwise pushed their buttons.”
At The Paris Review, Anne Diebel considers Dashiell Hammett’s “strange career.” “In a 1929 interview with the Brooklyn Daily Eagle, Dashiell Hammett described his first attempts at ‘breadwinning.’ After dropping out of Baltimore Polytechnic Institute at 14, he worked as a messenger boy for the Baltimore and Ohio […]
This month at The Cultural Gutter is Switcheroo Month. Traditionally the editors write something outside of their usual domains. This time, though, we are faced with a domainless Gutter. And so this Switcheroo Month, we write about reputable art. ~~~ “I shall ere long paint to you as […]
At Comicbook.com, Spencer Perry talks about the history of King Kong, who exactly holds the rights to the character and how that plays out in movies and musicals. “To fully appreciate the complexities of the complicated rights situation to Kong, we have to go all the way back […]
At Crime Reads, Olivia Rutiliagno presents her “100 Best, Worst and Strangest Sherlock Holmes Portrayals of All Time, Ranked.” “We’re ranking Sherlock Holmes performances. One hundred of them. Not Sherlock Holmes adaptations, but the representations within them of Sherlock Holmes himself. Now, you might think that you know […]
Find t-shirts, mugs, totes and more at our new Guttermart location at Teepublic!
The Cultural Gutter 