That darkness is a part of me. Living in a world without streetlights allows you to understand the true meaning of utter darkness. White indicates a lack of matter, while black shows an abundance. It makes you think that something is lurking just beyond, hidden in the blackness. […]
At the Guardian, Sarah Churchwell writes about fiction and fascism. “These parallels between fictional pasts and our political present may seem eerie: they aren’t. There is nothing surprising about people trying to replicate the oldest models of power.”
At the Atlantic, Sophie Gilbert has a piece on Dr. Seuss’ anti-Fascist cartoons and their complicated legacy.
Friend of the Gutter Colin Smith ponders the eternal question, “Which is better: Marvel or DC?” “It really did matter once, Marvel or DC? But that was decades ago, when the differences between the two publishers’ comics were obvious and consequential. When editor/writer Stan Lee and plotter/artist Jack […]
In honor of Shirley Jackson’s birthday, the Library of America has shared her “Biography of a Story” about the writing and reception of “The Lottery.” “It is probably the most famous work of fiction ever published in The New Yorker and certainly the magazine’s most controversial, generating letters […]
“Looking for film noir in India is to miss the point of Indian cinema altogether.”–Lalitha Gopalan, “Bombay Noir,” A Companion to Film Noir. (Hoboken, NJ: Blackwell Publishing Ltd., 2013). There’s a lot about Calcutta—the center of the Bengali film industry, metropolitan capital of the state of West Bengal, […]
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