This month’s Guest Star Aditi Sen is an Assistant Professor in the Department of History at Queen’s University, Canada. When she isn’t working or watching horror films, she likes to collect Bollywood cakes. ~~~ In 1830, Colonel William Sleeman reported that a fakir and his young son were […]
Released in 1967, Farz is Hindi cinema’s first spy movie—well, it probably is, depending on how you define “spy.” Police inspectors in Bombay movies had been gathering information about criminal masterminds for years, but as far as I can tell, none of them is an agent of a […]
I don’t know if the people responsible for this film were trying to make a throwback to the 1970s, but that’s sure how Roop Ki Rani Choron Ka Raja seems to me. That they succeeded is one of the highest cinematic compliments I can give. Plot intricacies, big […]
Chori Mera Kaam (Theft Is My Job, dir. Brij, 1975) is one of those movies that nobody talks about when hailing the masala golden age, but everybody should.
Dharam Veer is a Hindi cinema TARDIS, holding way more bedazzled boots, pirate shirts, Elizabethan doublets, Roman sandals, feisty gypsies, hand guillotines, romantic princes, creepy statues, sworn promises, lost relatives, baby-switching schemes, court politics, sword fights, naval battles, and eye-for-an-eye justice than you imagine could possibly fit inside […]
The Gutter’s own Beth has an essay in Bollywood Horrors: Religion, Violence and Cinematic Fears in India (Bloomsbury, 2020), a fancy academy book edited by friend of the Gutter Aditi Sen (who also has an essay inside). Go, Beth!