Though I had a vague clue that Takeshi Kitano’s Yakuza classic Sonatine (1993) was influenced by Kinji Fukasaku’s Bakuto Gaijin Butai, aka, Sympathy for the Underdog (1971), I was rather astonished when I came across the fact that John Woo’s visceral gangster epic A Better Tomorrow (1986) was […]
“There’s nothing wrong with G-rated movies, as long as there’s lots of sex and violence.” – Elvira, Mistress of the Dark Once upon a time, long, long ago, when Netflix and TiVo were just a twinkle in the ether, there was a boy who loved going to the […]
Mr. White and Mr. St. Mary have an in-depth look at Reservoir Dogs at The Projection Booth podcast. Special Guests: podcaster Jamie Jenkins, Film Threat‘s Paul Zimmerman and Reservoir Dogs executive producer, Monte Hellman. Special features include, Mike White’s video, “Who Do You Think You’re Fooling?” comparing Ringo […]
The Projection Booth targets John Woo’s The Killer and its legacy, including an interview with Kenneth Hall, writer of John Woo: The Films.
The bullets fly in Weng Jiang’s new Asian Western set in 1920s China: Let the Bullets Fly. It stars Chow Yun-Fat, Carina Lau and Weng Jiang himself. And though that sure sounds like Chow Yun-Fat, word is Mr. Chow has been dubbed. It would make a nice double […]
This trailer for the Korean remake of John Woo’s A Better Tomorrow has Chicago’s “25 or 6 to 4” going through my head. (thanks, brian!)