I told myself I wouldn’t do this. For the second year in a row, I’ve let Switcheroo Month, the time of year when us Gutterfolk write about reputable art instead of disreputable art, sneak up on me without an idea of what piece of reputable art I’d write […]
1972’s Night of the Lepus is one of the last stalwarts of a grand storytelling tradition, all too rare in our decadent, expertise-skeptical times–a tradition that dares to preface the feature with a dry, informative lecture. No time to thread exposition into character-revealing events and dialogue; we begin […]
If you pay any attention at all to popular Hindi cinema, then probably you will have heard of Sholay, often considered the best-loved Hindi movie of all time.* There is huge respect and affection for this film—for its cast, director, music, and script. Sometimes omitted from discussions of […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
As is the case for any self-respecting horror fan, the subject of Kyle Edward Ball’s divisive but impossible-to-ignore minimalist sensation, Skinamarink, has been lighting up my group chats. “Did you like it?” “Will I like it?” “What is it?” Friends, I’ll tell you what I tell everyone when […]
A beautiful woman, wearing scarlet from her lips to her toes, drives alone through the city. She’s relaxed, but distracted, as though she’s looking for something, frequently taking her eyes off the road to notice people gathering on balconies overlooking the street–people wearing dark glasses. Languidly, the camera […]
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The Cultural Gutter 