In writer-director Prano Bailey-Bond’s debut feature Censor (2021), we meet Enid (Niamh Algar), a pleasant young woman with a not-so-pleasant job: gutting the good parts of bad movies. Enid is a censor. She clearly loves her work though, or at least believes in its value, and if she […]
The works of Agatha Christie, like many other best-sellers in the English language, have been successfully translated into mainstream Indian cinema.* Gumnaam (1965) moves the stage version of And Then There Were None on a jungle- and ruin-covered island somewhere off the coast of India (and if you’ve […]
I heard industrial pa-chunking before I even entered the Henry Ford Museum of American Innovation. Across the street from the museum is the Ford Development Center, where Ford Motor Company does research on new vehicles and “mobility solutions.” The center first opened in 1953 and was designed by […]
This week’s Guest Star Dylan Garsee writes about Annette (2021)! ~~~ Won’t someone think of the arthouse film? As the theatrical experience is whittled down with the chainsaw that is COVID and the vast Sahara of streaming media, the small but mighty pillar of the movie-going experience is […]
This week the Gutter’s own Angela has wandered up the stairs of an ruined mansion carrying only a candelabra. She’ll be back next month. In the meantime, ponder and enjoy her piece on Candyman (1990)! ~~~ Bernard Rose’s Clive Barker’s Candyman is an intensely 1990s film. Characters smoke […]
Have you ever wished that on your way to regular old summer camp you’d stumbled across a magic door to a world where you could spend the summer learning magic and making friends as strange and nerdy as yourself? If so (or if not but it sounds fun […]