At TCM’s Movie Morlocks blog, Kimberley Lindbergs interviews Marcus Hearn on Hammer Studio’s enduring legacy. “The best of the films have now been critically rehabilitated, but it’s depressing when they’re overlooked or misrepresented as camp or trashy. So I guess I’m on something of a crusade!”
Art of the Title presents “a brief visual history” of Saul Bass’ title design work. (via Bleeding Cool, which exhorts us not to forget Elaine)
At TCM’s Movie Morlocks, David Kalat writes a passionate defense of silly Godzilla movies and how Godzilla vs. Megalon conquired the world in “The Importance of Being Godzilla (Part 1).”
Silent Toronto‘s Eric Veillette takes a look at censorship and the Ontario Censor Board from 1911 till now.
“The history of the yakuza and showbiz in Japan extends over four decades. We traced the historical growth of the yakuza into the entertainment industry and it parallels the evolution of the yakuza in Japanese society, and society’s changing viewpoints on their existence.” More at the Japan Subculture […]
The Belated Nerd reprints a 1961 Time review of Hammer and American Intertnational horror, including The Pit and The Pendulum, Curse of the Werewolf and Black Sunday. “Those who cannot bear the tension may be grateful for the Fright Break, during which they may ‘follow the Yellow Streak […]
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