Back in the day, HK studios assumed films with male leads couldn’t cut it in the theaters. So during the 1960s spy era, Hong Kong had Jane Bond films featuring masked spies in catsuits way before Maggie Cheung in Irma Vep. TarsTarkas gathers the resources all in one […]
And further to the subject of analyses of opening credits sequences, The Art of the Title is a repository of, well, just that.
“No doubt the audience in the plush seats of the Tivoli was enthralled. For the first time in a feature film, they could hear the creaking of the stairs, the ghostly wind and the voices of the characters. Even the credits were spoken.” Eric Veillette writes about The […]
Tomorrow (November 7, if I post this on time), Toronto’s Trash Palace is showing a print of Frank Perry’s The Swimmer. If you’re in the city, do yourself a favour: go see it. If you’re elsewhere (I understand the internets now extend beyond the GTA), do yourself a […]
Scroll down to see scans of Colin Geddes’ Fantasia Hong Kong film poster exhibit at Cinematheque Quebecoise: The Magnificent Butcher, Twelve Deadly Coins, 36th Chamber of Shaolin, City on Fire, Exiled, Triangle. Sammo Hung, Cheng Pei-Pei, Ti Lung, Donnie Yen, Chow Yun-Fat, Anthony Wong.
I’m a porn journalist, and I live in the Canadian city of Vancouver. Ok, maybe I shouldn’t even call it a city… because in comparison to New York, it’s a small hick town, and I can say that with some degree of confidence after recently finally making my […]
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The Cultural Gutter 