My previous installment for the Gutter, Dharam-Veer, falls into the Fully Fictional sub-genre of Historical Wackadoodle. Today we’ll look at an example of its counterpart: the Real-Ish. These films are part of a grandiose tradition of Hindi films that refer to real events but usually give them musical, […]
Dani Bethea kicks off Gayly Dreadful’s Pride Month with a meditation on race, gender, gender presentation and horror in cinema. “Particular intricacies always exist in the stories and lives of Black people, especially in the framing of (horror) imagery. As a Black American, I have a very particular […]
The Gutter’s own Keith shares from bonus content from his book Cocktails & Capers. It’s all about the Pastry War, Lucha Libre and Cinco de Mayo. “Alas, to keep the book to a reasonable length and not completely lose readers, I ended up cutting the pages about this […]
Every April is Switcheroo Month here at the Gutter as each Editor writes about something outside their usual domain. This week Comics Editor Carol writes about playing games within games in Red Dead Redemption 2. ~~~ “You mean Paradise on one side? Maybe the Inferno on the other […]
At The Guardian, Anne Billson writes about the history of cowboys, Westerns, the erasure of Black cowboys and the re-writing of Black cowboys and lawmen as white. “After the American civil war, a life in the saddle offered unprecedented freedom to former slaves, while the teamwork required for […]
Breakfast in the Ruins considers Seijun Suzuki’s 1973 contribution to the horror anthology series, Unbalanced Horror Theater: “A Mummy’s Love.” “In terms of its creative ambition and production values, this series seems to have represented something akin to a Japanese take on the BBC’s celebrated Ghost Stories for […]
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The Cultural Gutter 