Use the giallo title generator as a way to pass the time or a writing prompt. It’s certainly not a supernatural vision sent to you by an ancient coven of witches or a fashion-obsessed murderer who works in a mannequin warehouse… It probably isn’t. Certainly the police scoff […]
At RogerEbert.com, Matt Zoller Seitz remembers Rutger Hauer. “From his early breakthrough years in in Dutch films by one of his most important collaborators, director Paul Verhoeven, through his more recent period as an oddball elder statesman who could be menacing or sweet depending on the requirements of […]
“I must be stubborn or blind to the world around me, but I believe that 2019 audiences still enjoy the clandestine arts of megalomania, quippy men in bespoke suits, and wildly inefficient research and design departments. James Bond is the name we know, but there’s also Derek Flint, […]
At the Vintagent, Paul D’Orléans writes about the history of one-piece utility suits from boilersuits to Catwoman and Girl On A Motorcycle (1968). “The story of the ‘boilersuit’ and its (super)heroic descendants is a curious tale; a purely functional clothing item historically laden with a mix of Utopian […]
The Gutter’s own Keith Allison writes about Umberto Lenzi’s The Triumph Of Robin Hood for Diabolique magazine. “Following the template of the rollicking Errol Flynn swashbuckler and Hammer Films’ more recent Sword of Sherwood Forest (1960, starring Peter Cushing as the dastardly Sheriff of Nottingham!), The Triumph of […]
The Gutter’s own Keith Allison pulls off a caper with Emily Intravia and Christine Makepeace as the Feminine Critique watches The Jewel Robbery (1928) and Danger: Diabolik (1968). “Also on the books: Christine’s hatred of 2018’s Suspiria and Keith’s expertise on some very, very unusual new trivia about […]
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The Cultural Gutter 