Friend of the Gutter Sara Century looks at the Amityville franchise at Manor Vellum. “The Amityville Horror may not be especially unique at its root when viewed through the eyes of modern audiences. After all, today’s genre fans have seen similar stories in countless films, including, but not […]
Anne Billson writes about disaster movies for Perspective. “You can’t say we weren’t warned. Our elected representatives might have been more aware of the speed at which a deadly virus can spread around the world if only they had paid more attention to films like Contagion, in which […]
As with so many other events, the 2021 Hong Kong International Film and Television Market (Filmart) moved online and so I was able to attend this year. Along with Noir City International / the 18th Annual San Francisco Film Noir Festival, the New York Asian Film Festival and […]
At Film School Rejects, Sheryl Oh looks at the career–so far–of actor Carey Mulligan in both film and television–from Pride and Prejudice and Doctor Who to Wall Street: Money Never Sleeps, Drive and Mudbound.
Angelica Jade Bastién writes about Cary Grant at Criterion.com. “The body never lies. Instead, it keeps score, with our very gestures and walk and physical eccentricities speaking to the traumas and desires we’d like to keep hidden. But there are some people so aware of this truth, and […]
At RogerEbert.com, Roxanne Hadadi writes on the films of Jeremy Saulnier. “[W]hat Saulnier has built into his Blue Ruin, Green Room, and Hold the Dark trilogy is not only a flair for the gory and grisly, but a consistent acknowledgment of the role this country’s regimented class system […]
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The Cultural Gutter 