At Every Frame A Painting, Tony Zhou and Taylor Ramos “analyze how–with a small crew banded together under the production company Image Ten–George Romero used a tight $100,000 budget to create the radical cinematic style of Night of the Living Dead (1968), one of the most haunting and […]
At the Feminine Critique Podcast, “in their quest to amp up some coverage of lady director movies, Emily and Christine find some common threads between 2009’s Julie and Julia (directed by Nora Ephron) and 2021’s Titane (directed by Julia Ducournau). Somehow it all makes sense.” Listen here.
At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins watch Dil Apna Aur Preet! “A doctor and a nurse having a romantic moment at the hospital, drinking coffee in the moonlight…this romantic drama from 1960 ticks a lot of boxes (and […]
At Filmi Ladies, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins talk about the star-studded Bollywood disaster movie, Burning Train (1980)! “This movie is everything the title promises plus so much more! Starring half of the 1980 film industry and putting most of them […]
Every Frame A Painting is back as Tony Zhou and Taylor Ramos look at Ozu in color for TCM! “The cinema of Japanese filmmaker Yasujiro Ozu is explored in this new exclusive TCM Original. The creators Tony Zhou and Taylor Ramos are the duo behind the celebrated YouTube […]
Sometimes you encounter a movie late at night. A movie you didn’t even know existed before. And you discover that the movie had basically disappeared for 30 years. Cindy Sherman’s Office Killer was supposed to be the first in a series of low budget art house horror movies. It premiered at the Toronto International Film Festival’s Midnight Madness program in 1997. It was picked up by Miramax, released in a limited run of art house theaters and then it just disappeared.
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The Cultural Gutter 