Matt Stoller Seitz writes about meeting a film on its own terms, suspending your own disbelief and watching From Russia With Love and Singin’ In The Rain with audiences who wouldn’t or couldn’t do either. (Thanks, @DriveInMob)
Monster Island Resort Podcast used all the powers of kaiju and Kilaakian technology combined to invide Edinburgh’s Fringe Fest and London’s Fright Fest. And there’s video documentation!
Computer & Spaceman is a French space opera performed in English about an astronaut who is really focused on cooking up aliens as hamburgers and yearns for space friends.
Screenwriter and director Frank Pierson has died. Pierson wrote such films as Dog Day Afternoon, Cat Ballou, The Anderson Tapes and Cool Hand Luke. Pierson also wrote teleplays for Have Gun Will Travel, The Naked City, Lakota Woman: The Siege at Wounded Knee, Mad Men and The Good […]
“I used a descending chromatic scale throughout the score,” explains Marc Wilkinson, who was director of music at the National Theatre when Haggard approached him to write the score for Blood On Satan’s Claw. “To make it scary, I omitted the perfect fifth, which is the one true […]
Some thoughts on the new musical version of Carrie.