Travis Stevens’A Wounded Fawn (USA, 2022) is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite things. It blends fine art—in this case the art of Surrealists (and friends) Leonora Carrington, Remedios Varo and Kati Horna—1970s horror/giallo, Classical Greek […]
The Gutter’s own Carol Borden has a lot to say about Travis Stevens movie blending horror, Surrealism and Greek tragedy, A Wounded Fawn (USA, 2022). “Travis Stevens’A Wounded Fawn is entirely my thing. It’s a nice mix of art house and genre, which is one of my favorite […]
Surreal Noir celebrates Black History Month! “This episode shares a variety of Black women and centres on Paris, of course the city at the centre of Surrealism, but also with a long history drawing people of colour for art, music and more. Neo-noir comes in the shape of […]
Our friends at the Projection Booth watch Black Moon (1975). “French month continues with a look at Louis Malle’s Black Moon (1975). The film tells the story of Lily (Cathryn Harrison), a girl on the brink of womanhood who’s on the run from a war between men and […]
Friend of the Gutter Kate Laity reports on “Surrealism Beyond Borders.” “Look: together for the first time since they were last exhibited: Varo’s triptych. And Rahon! And Colqhoun! And Cahun! And Deren — and so much.”
Listen to Surreal Noir at No Bounds Radio hosted by friend of the Gutter Kate Laity. It’s what it says–a mix of discussion of surreal art and noir books and film. This episode includes audio and texts from In a Lonely Place, Leonora Carrington, Ghostdance, Remedios Varo, and […]
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The Cultural Gutter 