The Toronto International Film Festival has announced its Midnight Madness and Vanguard programs for 2014. There’s lots of goodness in there and it’s worth taking a look even if you aren’t going to the festival, so you can you movie watching later this year or next. We’ll be […]
At RogerEbert.com, Alan Zilberman explores the history of the eye in cinema from Carl Theodor Dreyer’s The Passion of Joan of Arc (1928) to Mark Cahill’s I Origins (2014). (via Matt Zoller Seitz)
All the red carpet interviews and post-screening question and answer sessions from this year’s Midnight Madness Programme at the Toronto International Film Festival. And all conducted by friend of The Gutter and Soldier of Cinema, Robert Mitchell! [Update: Link fixed!]
Midnight Madness Programmer and Gutter Friend, Colin Geddes, is interviewed (along with many others) about the history of midnight movies from El Topo and Eraserhead till now.
Here’s the latest trailer for Don Coscarelli’s John Dies At The End.
“Depth, light, sound, music: Stephen and Timothy Quay speak on the many dimensions of film,” both animated and live-action, at Keyframe.