Sometimes you encounter a movie late at night. A movie you didn’t even know existed before. And you discover that the movie had basically disappeared for 30 years. Cindy Sherman’s Office Killer was supposed to be the first in a series of low budget art house horror movies. It premiered at the Toronto International Film Festival’s Midnight Madness program in 1997. It was picked up by Miramax, released in a limited run of art house theaters and then it just disappeared.
I know it’s a bit late for a list of things I liked in 2022, but here at the Gutter we do what we want. And like Angela Englert and Sachin Hingoo, I am taking care of some end of year business. Besides, what if you discover something […]
On the fifth anniversary of We Bare Bears, Daniel Chong talks about making the show.
Screen Editor alex MacFadyen has gone undercover on a Gutter mission of vital importance. He’ll be back soon. In the meantime, please enjoy this essay on Don Draper, Marty Hart and willpower. ~~~ Awhile back I had one of those moments where I read something that made all […]
As soon as the old detective starts talking about buying a boat and all the fish he’s going to catch, or what the view will be like from his back window when he retires, you pretty much know he’s not gonna make it. Or maybe he will, but […]
Awhile back I had one of those moments where I read something that made all the kaleidoscope pieces shift slightly into a pattern that made more sense: part of our problem in trying to make the best, healthiest choice about everything is that self-control is a limited resource. […]
The Cultural Gutter 