At The Nib, Ronald Wimberley tells a story and elucidates the implications of being asked to lighten a character’s skin tone for a Wolverine And the X-Men jam comic.
Actor Bob Hoskins has died. Most sources are mentioning Who Framed Roger Rabbit, but Hoskins also appeared in Brazil, Nixon, The Long Good Friday, Pink Floyd The Wall, Unleashed, The Secret Agent and the tv show, Tales From The Crypt (“Fatal Caper”). And Hoskins was Chris Claremont’s first choice […]
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Patton Oswalt’s multi-franchise super-movie described in his Star Wars filibuster from Parks and Recreation, animated.
“[T]he X-Men are a lot of things to a lot of people, but one of the most important things they are—I’m talking top two, right after “sexy people with cool powers”—is an oppression metaphor. You cannot escape this. It is built into the X-Men’s DNA….The oppression metaphor is […]
At Digital Femme Online, Cheryl Lynn thinks about Idie Okonkwo’s change from an afro to a pixie cut in Wolverine and the X-Men, and is sad that ” no other character is willing to address what is a glaring problem with this child in regards to her mutancy […]