Notes
Interview with Joe Gage/Tim Kincaid
At Fangoria, Sean Abley interviews Joe Gage, director of the Gay porn “Working Man Trilogy” (L.A. Tool and Die; Kansas City Trucking Co.; and El Paso Wrecking Co.) as well as a bunch of low-budget horror movies under the name, “Tim Kincaid.” (Thanks, Matt!)
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Categories: Notes
Tagged as: 1970s, 1980s, 1990s, 2000s, 2010s, dystopia, end times, exploitation, horror, Joe Gage, LGBT, LGBTQ, movies, porn, science fiction, sex, sex work, Tim Kincaid, USA
Published by Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
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Joe Gage, Tim Kincaid and Mark Larson. I was just curious why three names for one man? Taxes? Write offs? Or just plain AKA’s?
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All three? Too keep his different kinds of film separate? I’m afraid I don’t know.
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Yes, to separate the works, Joe Gage is the supreme master of queer male porn film. His greatest works are the Kansas City-El Paso-Loa Angeles trilogy, and the monumental “HANDsome,” which, with its “Caravaggio” finale is the most astonishing feat of filming and editing anywhere, and belongs in the permanent collection of the Museum of Modern Art.
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Also Tim Kincaid is Tim Kinkaid; he has achieved fame and glory under his own name, and as Joe Gage, and also, to a somewhat lesser extent as Mac Larsen. He is a cinematic genius, and a Hollywood Novel novelist of accomplishment; altogether a person of consweuence.
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