[Content warning: suicide.] While flipping through the new options on an Indian streaming service I subscribe to*, I discovered Shakeela, a film that actually managed to release in cinemas in December 2020. Almost all of the Indian films that I heard discussed with any vigor in 2020 were […]
Dangerous Minds has a gallery of Eve Fowler’s 1983-1998 portraits of male prostitutes. “The men themselves remain anonymous, and the viewer is left to wonder about their lives and personal stories. Street hustling has never been the safest way to make a living, and deaths from AIDS only […]
In Tropes vs. Women in Video Games, “Women As Background Decoration: Part 2,” Anita Sarkeesian discusses “how sexualized female bodies often occupy a dual role as both sexual playthings and the perpetual victims of male violence.” It is quite graphic in terms of violence and sexual violence.
Producer and exploitation pioneer Harry Novak has died. Daily Grindhouse remembers Novak with a collection of trailers from his films. Dougsploitation has an overview of Novak’s career well-illustrated with film posters. The Los Angeles Times has a brief obituary.
Way back in 2003, Jim Munroe conceived of a SXSW panel, “Why I Dig Working In The Cultural Gutter” and the Cultural Gutter is one of the results of that discussion. Heath Row’s Media Diet has a transcript of that panel.
At Fangoria, Sean Abley interviews Joe Gage, director of the Gay porn “Working Man Trilogy” (L.A. Tool and Die; Kansas City Trucking Co.; and El Paso Wrecking Co.) as well as a bunch of low-budget horror movies under the name, “Tim Kincaid.” (Thanks, Matt!)