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The Cultural Gutter

Thoughtful Writing About Disreputable Art

From Homer to Nolan: How The Odyssey Survives Through Reinvention

By Michelle on July 23, 2026 • ( Leave a comment )

From the Archives: Reality Isn’t What It Used To Be

By Angela Englert on July 16, 2026 • ( Leave a comment )

Getting Surreal in Winnipeg: Universal Language (2024)

By Critterlab on July 9, 2026 • ( Leave a comment )

Apocalypticism Now: Cries Of Ecstasy, Blows Of Death (1973)

By Guttersnipe on July 2, 2026 • ( Leave a comment )

Still Keeping It Cozy: The Coziest Upcoming Games of 2026 and Beyond

By Sachin Hingoo (he|him|his) on June 25, 2026 • ( Leave a comment )

Blood Geysers and Biopunk: The Gory Films of Yoshihiro Nishimura

By Michelle on June 18, 2026 • ( Leave a comment )

Filmi Ladies: Clueless 30th Anniversary Special!

By Guttersnipe on September 17, 2025 • ( Leave a comment )

At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins celebrate the 30th anniversary of Clueless (USA, 1995)! “Clueless, a cinematic treasure, just turned 30 years old this year. Could we let its anniversary pass by without talking about it? AS IF! […]

Kojak in Budapest: “Monday Pants”

By Guttersnipe on September 16, 2025 • ( Leave a comment )

As part of an ongoing translation/subtitling project, friend of the Gutter has shared a clip from the Hungarian film, Kojak In Istanbul. Watch Kojak learn how to shop for trousers at Neon Harbor.

Hey, the Gutter is going to Fantastic Fest 2025!

By Carol on September 15, 2025 • ( Leave a comment )

It’s Fantastic Fest time again and the Gutter’s own Sachin Hingoo and I were lucky enough to receive press accreditation again. We are cub reporters no more.We hang out in the virtual lounge and tip our fedoras at passing fancy people. We write at late hours and at […]

TIFF Day 6 with the Gutter’s Own Sachin Hingoo!

By Guttersnipe on September 13, 2025 • ( Leave a comment )

The Sachin Hingoo has thoughts on 4 more films from this year’s Toronto International Film Festival: Frankenstein (USA, 2025); Dust Bunny (USA, 2025); Train Dreams (USA, 2025); and, The Ugly (South Korea, 2025)! “As we enter the back half of TIFFty and the films start to almost literally […]

TIFF Day 5 with the Gutter’s own Sachin Hingoo!

By Guttersnipe on September 11, 2025 • ( Leave a comment )

The Gutter’s own Sachin Hingoo–and his pal, Karen Shute–continues to watch films at an astounding pace at the Toronto International Film Festival 2025: Good Boy; Orwell: 2 + 2 = 5; Exit 8; and, The Smashing Machine! We are officially at the halfway mark of TIFF, and boy […]

From the Archives: Murderbot Does Not Want a Hug

By Critterlab on September 11, 2025 • ( 2 Comments )

The truth is that all I really want to read is fantasy. Stories set in other worlds, other solar systems, other versions of reality that don’t entirely resemble this one. I used to read a much wider range of fiction and every so often I still pick up […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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