Olivia Rutigliano shares her picks for the top 15 crime movies of 2020 at Crime Reads. “Here are the rules for our selection: all films considered all had to be full-length feature films, released (in theaters or on streaming services) in the United States during the 2020 calendar […]
There are so many superhero movies being made recently, and although I find most of them entertaining, I just don’t get the same feeling of happiness watching them that I used to with older versions like the original Superman movies (1978-1983), Lois & Clark: The New Adventures of […]
Danny Bowes writes about Christopher Nolan’s Interstallar, baseball and Matthew McConaughey at Letterboxd: “McConaughey is a great movie star for a number of reasons, but one of which is that the nature of his charisma derives from his singular quantum Zen surfer good old boy state of being. […]
Abigail Nussbaum considers Christopher Nolan’s Interstellar at Asking The Wrong Questions. “As much fun as it is to watch this sort of story–and the enjoyment is only increased by Interstellar‘s refreshing rejection of Hollywood’s standard save the cat story template, with multiple complications and decision points that give […]
“In the world of online film discourse, there’s a veritable cottage industry devoted to bringing certainty to ambiguity.” The Dissolve has more. Meanwhile, Film Critic Hulk writes about film logic, plot holes and “THE ONLY ANSWER THAT ACTUALLY MATTERS.”
Scott Nye writes about plot holes, deflection, and characters explaining for the audience at Ebert.com‘s “Balder & Dash” blog: “Characters must constantly address questions on behalf of a too-curious audience awash in complexly-plotted mega-stories. The movies are trying to plug leaks in a boat before the whole thing […]
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The Cultural Gutter 