At The Collector, Susanna Andrews looks at the work of artist Leonora Carrington. “Leonora Carrington was a Surrealist painter and writer who integrated magic and mysticism into her work. She had a rebellious spirit from the beginning, denouncing the Roman Catholicism that was imposed on her as a […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
The Gutter’s own Carol watches Michelle Garza Cervera’s Huesera and liked it! “Huesera: The Bone Woman (Mexico-Peru, 2022) was not what I expected. It’s Queerer and more Punk. From the trailers and stills I had expected it to be about pregnancy and the traps of domesticity. I had […]
The Gutter’s own Carol is reporting back from the Fantasia International Film Festival with a review of Legions (Argentina, 2022): When Fabian Forte’s Legions (Argentina, 2022) opens, Antonio Puyjo (Germán De Silva) has been committed to a psychiatric hospital. Antonio is proud of his bloodline, his family and […]
The pandemic has resulted in a year of film festivals here at the Gutter, including the Toronto International Film Festival, Hong Kong Filmart and now Nightstream and the Brooklyn Horror Festival. The Gutter’s own Angela and I attended Nightstream with press cards in the bands of our fedoras […]
At Okayplayer, Clarkisha Kent interviews Rachel True. “Amid the anniversary of The Craft, True spoke with Okayplayer about how the film attempted to tackle issues that are still prevalent today (however clunky), how her spiritual journey led her to pen and publish a hybrid memoir and tarot set, and her […]
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The Cultural Gutter 