Everything is real and everything is possible in Latitude Zero. It is both a secret utopia beneath the sea where scientists and artists work in peace, waiting for the day when humankind will be ready to embrace Latitude Zero’s wonders, and a Japanese/American science fiction spectacle directed by […]
December 6th was the 50th anniversary of the folk horror (and Beltane holiday) classic, The Wicker Man’s release. It seems positively disreputable to let the event pass completely unmarked. So this month we are presenting an essay Carol Borden originally wrote on The Wicker Man‘s origins for CG Editor […]
At The Collector, Susanna Andrews looks at the work of artist Leonora Carrington. “Leonora Carrington was a Surrealist painter and writer who integrated magic and mysticism into her work. She had a rebellious spirit from the beginning, denouncing the Roman Catholicism that was imposed on her as a […]
Nocebo (Philippines / Ireland, 2022) is a blend of Gothic manor house horror, Southeast Asian witchcraft movies, and horror set in the world of fashion. Instead of focusing on connivances and cruelties within the world of haute couture fashion houses, like, say, Mario Bava’s Blood and Black Lace […]
The Gutter’s own Carol watches Michelle Garza Cervera’s Huesera and liked it! “Huesera: The Bone Woman (Mexico-Peru, 2022) was not what I expected. It’s Queerer and more Punk. From the trailers and stills I had expected it to be about pregnancy and the traps of domesticity. I had […]
The Gutter’s own Carol is reporting back from the Fantasia International Film Festival with a review of Legions (Argentina, 2022): When Fabian Forte’s Legions (Argentina, 2022) opens, Antonio Puyjo (Germán De Silva) has been committed to a psychiatric hospital. Antonio is proud of his bloodline, his family and […]
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The Cultural Gutter 