At Terrible Minds, Chuck Wendig writes about Mad Max: Fury Road and Game of Thrones. “So, two very popular storyworlds. Two portrayals of a world where women hold dubious power and are seen as ‘things.’ One of these is roundly criticized for it. One of them is roundly […]
I never expected to be reading Archie comics. Archie Andrews’ irresistible appeal to ladies mystified me and I came late to an appreciation for soap operas and straight melodrama. Then there was residual stuff around romance, a punk rock hostility towards the wholesome squares, a dash of internalized […]
The Swiss Literary Archives have made their Patricia Highsmith collection available online here. (Thanks, Kate!)
At Kris Writes, Kristine Kathryn Rusch has some thoughts about “churning out books,” marketing and the publishing industry: “It’s become a cliché. Any writer who writes fast ‘churns out’ material. Or she ‘cranks out’ or ‘pounds out’ whatever it is that she writes. Because clearly, no writer who […]
At SeqArt, Harry Edmundson-Cornell writes about the fourth wall, metafiction, tone and character in True Detective and Community (as well as Bojack Horseman and Rick & Morty). “When a show points out the mechanics driving the medium they’re essentially violating the realism of the art. They’re pointing out […]
Empire Magazine has an interview with screenwriter Jonathan Spaihts about his original screenplay for Prometheus. “But the most dramatic change was the removal of the xenomorph from the film. That was a shift that happened at the same time as I stepped off the film. A lot of […]