“On the afternoon of May 28, 1903, Leoti Blaker, a young Kansan touring New York City, boarded a Fifth Avenue stagecoach at 23rd Street and settled in for the ride. The coach was crowded, and when it jostled she noticed that the man next to her settled himself […]
I spend a lot of time, perhaps too much time, waxing poetic about the golden cliches of yesteryear that seem to have disappeared from everywhere except Univision. Grown men dressed in those little sailor boy outfits holding oversized lollipops. Quicksand gags. So many lost greats. One of my […]
SyFy Wire Fangrrls–including friend of the Gutter Sara Century–share their favorite comics of 2019! “There are many reasons that comics will always be a defining part of our nerdverse, but as we look back on the past year, we’re recognizing some of the creators — writers, artists, letterers, […]
At the New Yorker, Christine Smallwood looks at Dorothy B. Hughes’ “forgotten Noir,” The Expendable Man (1963). “The creation of difference itself was her subject. Her books were widely praised for their atmospheres of fear and suspense, and criticized when they reached, as the New York Times said […]
Like Comics Editor Carol mentioned in her own year-end list, sometimes you don’t write about the awesome thing because you admire it so much, you don’t really have much to contribute beyond, “WOW, THAT KICKED ASS.” Two years on, this is why I’ve yet to write about Mandy. […]
Open Culture has Jared Hess’ Peluca (2002) the short that Jared and Jerusha Hess turned into Napoleon Dynamite (2004). “You could say that Jared and Jerusha Hess got lucky. When first the husband-and-wife team got the chance to make a feature, it turned out to be Napoleon Dynamite, […]
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The Cultural Gutter 