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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Summer Fun Time Reading ’26

By Carol on June 4, 2026 • ( Leave a comment )

Don’t Sleep on Simon Glassman’s ‘Buffet Infinity’ (2025)

By Sachin Hingoo (he|him|his) on May 28, 2026 • ( 2 Comments )

Fatal Kisses, Leather Daddies, and Evil Tofu: Queer Coding in Video Games

By Critterlab on May 14, 2026 • ( 1 Comment )

Some Thoughts on a Film that Disappeared: Cindy Sherman’s Office Killer

By Carol on May 7, 2026 • ( 1 Comment )

Monsters & Mullets: Labyrinth

By Guttersnipe on April 30, 2026 • ( Leave a comment )

The Burning Train

By Beth Watkins on April 16, 2026 • ( 1 Comment )

Fantastic Fest 2025: Mārama (Aotearoa, 2025): Walking Backwards into the Future

By Carol on September 23, 2025 • ( Leave a comment )

The Gutters own Carol Borden finishes up Fantastic Fest 2025 with Taratoa Stappard’s Mārama. In 1859, an orphaned Māori woman, Mary Stevens (Ariāna Osborne) has traveled from New Zealand to Yorkshire, England to meet a man. She has received a letter from a Mr. Anthony Boyd, who claims […]

Fantastic Fest 2025: Mamoru Oshii & Yoshitaka Amano’s Masterpiece, Angel’s Egg (Japan, 1985)

By Carol on September 22, 2025 • ( 2 Comments )

A 4K restored version of Mamoru Oshii and Yoshitaka Amano’s Angel’s Egg screens at Fantastic Fest this year and the Gutter’s own Carol Borden was fortunate enough to see it! “I always struggle a bit when writing about masterpieces. And Mamoru Oshii and Yoshitaka Amano, masters already, collaborated […]

Fantastic Fest 2025: The Cramps: A Period Piece (USA, 2025)

By Carol on September 21, 2025 • ( Leave a comment )

The Gutter’s own Carol Borden really enjoyed the campy, lo-fi body horror of The Cramps: A Period Piece at Fantastic Fest. Here are some quick thoughts. (There are more thoughts on it at Monstrous Industry): Brooke H. Cellars’ The Cramps: A Period Piece (USA, 2025) is a period […]

Fantastic Fest 2025: The Curse (Taiwan / Japan): Never Post

By Carol on September 19, 2025 • ( 2 Comments )

The Gutter’s own Carol Borden has some thoughts on Kenichi Ugana’s The Curse (Taiwan / Japan, 2025), now screening at Fantastic Fest 2025! Kenichi Ugana’s The Curse has the punk sensibility—down to its scratchy opening title card that looks like a punk zine cover—the gleeful gore, the dark […]

In György Pálfi’s ‘Hen’, the Real Lady Bird is (in) the Eggs We Laid Along The Way

By Sachin Hingoo (he|him|his) on September 18, 2025 • ( Leave a comment )

Anyone that knows me will tell you that I’m a sucker for an unconventional animal-themed film and while it doesn’t have the in-your-face animated aesthetic of last year’s Flow, György Pálfi’s new film ‘Hen’ chicken-scratches that itch in a major way. 

Filmi Ladies: Clueless 30th Anniversary Special!

By Guttersnipe on September 17, 2025 • ( Leave a comment )

At Filmi Ladies Podcast, friend of the Gutter Pitu Sultan and the Gutter’s own Beth Watkins celebrate the 30th anniversary of Clueless (USA, 1995)! “Clueless, a cinematic treasure, just turned 30 years old this year. Could we let its anniversary pass by without talking about it? AS IF! […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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