Other than the crappy, ad-infused word game that I keep on my phone to occupy my brain on my commute (and which I will not promote here because of said ads), I haven’t been playing too many video games lately and certainly not making ample use of the […]
Yoshihiro Nishimura started out as a special effects guru, providing gruesome make-up and props for films such as Suicide Club (2001), Meatball Machine (2005), and The Machine Girl (2008). His breakout film was Tokyo Gore Police (2008), which became a cult hit in both Japan and the West. […]
I’ve had a cruddy day, so please indulge me in a visit to my favorite micro-genre of mainstream Indian cinema: people looking for things in Calcutta.I love a mystery. I love characters on a quest for knowledge that is ultimately used for resolution or even justice. I am […]
I’ve always been a bad sleeper. Even as a kid, I’d find myself waking up at the hours of the night that no child should ever see and lying awake for what seemed like forever. As I got a bit older I’d sneak from my downstairs bedroom to […]
Sometimes you encounter a movie late at night. A movie you didn’t even know existed before. And you discover that the movie had basically disappeared for 30 years. Cindy Sherman’s Office Killer was supposed to be the first in a series of low budget art house horror movies. It premiered at the Toronto International Film Festival’s Midnight Madness program in 1997. It was picked up by Miramax, released in a limited run of art house theaters and then it just disappeared.
The journey from unfair to unjust is a twisted maze, one littered with false starts and dead ends; it’s also, significantly, the journey undertaken in Labyrinth, from childhood to adulthood, powerlessness to power.
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The Cultural Gutter 