Notes
Yoshihiro Tatsumi’s “Black Rainbow”
Ryan Holmberg reads Tatsumi Yoshihiro’s Black Blizzard closely with Tatsumi’s memoir, A Drifting Life, and discovers Black Blizzard is an adaptation of pulp mystery writer Shimada Kazuo’s story, “Black Rainbow,” then puts Tatsumi’s work in the context of other mass entertainment of its time. The piece itself is worth it for the discussion of Shimada and the covers and pages of pulp magazines reprinted. “The case of Black Blizzard shows how….the literal adaptation of mass entertainment – magazine storylines and movie effects – was the very starting point of gekiga.”
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Categories: Notes
Tagged as: 1900s, 1920s, 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, 1990s, 2000s, 2010s, adaptation, autobiography, biography, China, colonialism, colonies, comics, comics history, comics industry, crime, detectives, Edogawa Ranpo, gallery, gekiga, history, honkakuha, industry, Japan, journalism, Kazuo Shimada, Manchuria, manga, memoir, memory, movies, pulp, scans, Shanghai, UK, war, WWII, Yoshihiro Tatsumi
Published by Carol
Carol Borden was editor of and a writer for the Toronto International Film Festival’s official Midnight Madness and Vanguard program blogs. She is currently an editor at and evil overlord for The Cultural Gutter, a website dedicated to thoughtful writing about disreputable art. She has written for Mezzanotte, Teleport City, Die Danger Die Die Kill, Popshifter and she has a bunch of short stories published by Fox Spirit Books including: Godzilla detective fiction, femme fatale mermaids, an adventurous translator/poet, and an x-ray tech having a bad day. Read and listen to her other shenanigans at Monstrous Industry. For her particular take on gutter culture, check out, “In the Sewer with the Alligators.”
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