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The Cultural Gutter

Thoughtful Writing About Disreputable Art

Peter Lorre Conquers Mad Love

By Carol on October 22, 2026 • ( 2 Comments )

Death Riders

By Sachin Hingoo (he|him|his) on October 15, 2026 • ( 1 Comment )

Welcome to Potters Bluff: Death, Resurrection, and the Horror of Small-Town America

By Michelle on October 8, 2026 • ( Leave a comment )

Best of the Best Is Pretty Good!

By Beth Watkins on October 1, 2026 • ( Leave a comment )

Carol Goes to Fantastic Fest 2026!

By Carol on September 24, 2026 • ( Leave a comment )

Fantastic Fest 2026: Terms & Conditions (USA, 2026)

By Carol on September 23, 2026 • ( Leave a comment )

Sex and Naps: Lessons from The Wicker Man (1973)

By Carol on January 18, 2024 • ( 10 Comments )

December 6th was the 50th anniversary of the folk horror (and Beltane holiday) classic, The Wicker Man’s release. It seems positively disreputable to let the event pass completely unmarked. So this month we are presenting an essay Carol Borden originally wrote on The Wicker Man‘s origins for CG Editor […]

Filmi Ladies: Seven Deadly Sins: Greed

By Guttersnipe on January 17, 2024 • ( Leave a comment )

At Filmi Ladies Podcast, Pitu Sultan and the Gutter’s own Beth Watkins look at films with the theme of greed. “Two masala gems came to mind when we thought about greed: Bluffmaster! (2005) and Judaai (1997). On the surface these stories are about wanting money, but both of […]

Projection Booth: The Apple Fell (1948)

By Guttersnipe on January 13, 2024 • ( Leave a comment )

At the Projection Booth Podcast, friends of the Gutter Mike White and Emily Intravia join Samm Deighan to discuss The Apple Fell! “It’s the story of Adam Schmidt (Bobby Todd) who is torn between his wife Lilith (Joana Maria Gorvin) and his mistress Eve (Bettina Moissi). Despondent, Adam […]

Filmi Ladies: Seven Deadly Sins: Pride

By Guttersnipe on January 12, 2024 • ( Leave a comment )

At Filmi Ladies, Pitu Sultan and the Gutter’s own Beth Watkins start as series looking the seven deadly sins in cinema. First up: Pride. “We discuss what it means to be prideful and why that’s bad through the characters in our chosen movies Kalyug (1981) and Raincoat (2004). […]

Sachin Hingoo’s Best of 2023 (or: The Emma Stone/Godzilla Appreciation Station)

By Sachin Hingoo (he|him|his) on January 11, 2024 • ( 1 Comment )

When I think about the last year in film, it feels like one that was a study of extremes and surprises. Films seemed to fall into a ‘difficult or at least demanding to watch’ end of the spectrum, like Oppenheimer, or they leaned into a candy-coated, fun end […]

“If buying isn’t owning, piracy isn’t stealing”

By Guttersnipe on January 10, 2024 • ( 1 Comment )

At Pluralistic, Cory Doctorow has some thoughts. “When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by […]

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The Cultural Gutter is a website dedicated to thoughtful writing about disreputable art. The site is updated every Thursday afternoon. Carol Borden, Sachin Hingoo, Alex MacFadyen, Beth Watkins, and Michelle Kisner probe science fiction, draw out the best in comics, stare deeply into the screen, sink their fangs into horror, dally with romance, speedrun their brains on videogames, grapple with wrestling, and explore so much more. Our Guest Stars shine here. Thanks to Gutter aesthetic director Brian Kirby for all his swank art. Thanks to EJ Lee for providing the fantastic art we used in the Cultural Gutter book. The Cultural Gutter's signature nail polishes, "Disreputable," and, "Disreputable 2: Hellcat," were created by Andrea Evans of MPZ Cosmetics. MPZ Cosmetics also teamed up with Dill McKinley to recreate the classic fragrance, Cornichon by Dill McKinley for Gutterthon 2021. Follow us on Bluesky, Facebook, and Mastodon. We do not accept unsolicited pitches.

No part of this text or any text on the Cultural Gutter site may be used to train artificial intelligence systems without the written permission of the author and The Cultural Gutter.

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