At Gamasutra, Atlus’ Scott Strichart talks about translating the humor and tone of Yakuza 0 and translating and localizing games in general. “We’re doing it line by line, and suddenly we’re like ‘oh shit, here’s a pun.’ And when you hit that, you have to take a step […]
At Booklist, Alexandria brown has some suggestions and offers some resources for librarians to build inclusive graphic novel collections and decolonize their libraries. “Decolonization work and graphic novels may not seem like an obvious pairing, but in fact, the two can go hand in hand. In recent years, […]
Last time on Angela Reviews a Resident Evil Game…actually, I was talking about the 2019 Resident Evil 2 remake and its implications for the validity of video games as art. (TL;DR: they are, nyah, nyah.) But the time before that, I took a good long look at 2017’s […]
At Texas Monthly, Paula Meija takes a walk through Houston’s “Darth Vader” house. (Thanks, Rob!)
At the Bite, BJ Colangelo writes about Dracula’s Daughter (1936). “One year after the success of The Bride of Frankenstein, Universal Pictures tried their hand again with another femme facing monster movie sequel, Dracula’s Daughter. Unlike The Bride, Countess Marya Zaleska (Gloria Holden) is a legitimate leading performance […]
At ArtForum, Chloe Wyma writes about artist Leonora Carrington’s Tarot. “Carrington made The High Priestess, one of only two cards to have been dated, in 1955, around the same time she and her friend Remedios Varo were haunting the metaphysical clubs established by the disciples of Russian mystics […]
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The Cultural Gutter 